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Published on: 16 Sep 2017 by robo
The global film industry shows healthy projections for the coming years, as the global box office revenue is forecast to increase from about 38 billion U.S. dollars in 2017 to nearly 50 billion U.S. dollars in 2020. The U.S. is the third largest film market in the world in terms of tickets sold per year, only behind China and India. Just under 1.2 billion movie tickets were sold in the U.S. in 2016. There are about 5,800 cinema sites in the U.S. as of 2016. According to a recent survey, 14 percent of Americans go to the movies about once a month, six percent go see movies in the movie theater twice or three times a month, whereas 31 percent go a few times a year.if you want to buy https://smrole.com/automatic-instagram-likes-package/
automatic instagram likes package from our site. This is a considerable share taking into account the 52 percent of American adults prefer watching movies at home.Flop movies
In hindsight, this flick was doomed from the start, as Scarlett Johansson -- a very white woman with a very white name -- was cast as a character who is very much not white in the beloved source material. It didn't matter how otherwise well-made Rupert Sanders' movie was, because audiences will no longer tolerate Hollywood whitewashing the live action adaptations of seminal Japanese manga and anime franchises.Johansson tried to spin the movie, in which she plays a cyborg cop who slowly learns about her past and the conspiracy surrounding it, as a feminist story. And sure, it's got the strong female lead, which is certainly a big accomplishment. The movie rating is average .King Arthur- Legend of the Sword
Warner Bros. indulged Guy Ritchie, the king of indulgence, with $175 million to make a big, bloody, messy quasi-adaptation of the quintessential (and exhausted) medieval tale of King Arthur. And it had a good cast, including a bunch of handsome British dudes Warner Bros. must have seen the success of Time Warner cousin HBO's "Game of Thrones" and really wanted in on that genre gold, because they then spent another rumored $100 million in marketing and advertisings. The critic score was 27%, but the audience gave it a 77 %. Sadly the critics only want to give a movie a great rating when there's an oppressed group wronged, and this movie is not that.The Great Wall
Speaking of whitewashing, here's another Hollywood attempt to stick a white person in front of an Asian cast in a movie set in Asia, and suffering the new consequences.this movie, about some white dudes who team up with Chinese locals to defend the Great Wall from some dragons, was supposed to be their first truly international hit, bridging cultures through the power of leading man Matt Damon and CGI spectacle. But even though ultimately see a $75 million loss for its various producers. This movie have Damon's role was specifically meant for a white guy, people who didn't watch the trailers or read the synopsis got pissed, and staged protest.It also didn't help that the movie pretty much stunk. "The Great Wall" made just $45 million in the US and while international sales gave it final $331 million worldwide tally, but it'll bas reviews from audience.Life
This movie also biggest flop movie in 2017. Movie rating was not good. Audience give 2.5 rating. A movie stars two of Hollywood's hottest actors, Jake Gyllenhaal and Ryan Reynolds. It¹s got a cool sci-fi plot, reminiscent of "Alien," with a screenplay from the "Deadpool" guys, Paul Wernick and Rhett Reese. And it¹s got largely positive reviews, good for a 68 percent Rotten Tomatoes score. Maybe Sony just didn't advertise the movie enough you didn't see much of an ad blitz or TV show tour and underestimated what they had.The Circle
Emma Watson as the lead, with Tom Hanks as the sneaky maybe-villain, and John Boyega as a mysterious hero.But somehow, the film just didn't workIt's all so horribly disappointing, given the skill that writer/director James Ponsoldt has shown on his three previous, excellent features (Smashed, The Spectacular Now, and The End of the Tour), all of which dealt with deeply, movingly human flaws. Now whatever human touch he might have brought to the material is gone, and he seems to have no handle on how to make a paranoid thriller with inhuman stakes. It's baffling, considering that Dave Eggers co-wrote the screenplay based on his own book, and the cast -- including the late Bill Paxton and a musical appearance by Beck -- is above reproach. Wherever The Circle went wrong is, for now, a mystery.